I bid you a fond Dubai
NB: WaPo's Dana Milbank is a boy, as opposed to WaPo's Dana Priest, who is a girl, and also a Polk award winner. Congratulations, Danas!

I'm usually a huge fan of our dark lord Jack Shafer, whose cantankerous media criticism is usually spot-on. This week's deconstruction of TV's Aryan Sisterhood ("They know only one hair color: blonder!"), however, was uncharacteristically sloppy and off the mark.
Shiver me timbers! The landlubbers at Office Pirates, the spankin'-new online magazine from Time Inc., have created something slightly less predictible than my lame pirate-speak but only marginally more funny. If you dispute that point perhaps I will add a masturbation joke to even the playing field. I wanted to like Office Pirates, truly I did, but it's hard to appreciate something that is so lowest-common denominator and gender-exclusive.
I'm trying to find the connection between this week's lugubrious NYTBR essay on the dearth of hockey books and, indeed, hockey's tenuous place in the sports-world food chain, and the Canadian women's hockey gold. Writer Keith Gessen calls hockey "a doomed, crazy game" and "a sport that isn't quite making it." As a Canadian, it's hard for me to see that, but of course Gessen is talking about American hockey literature, and the American hockey experience ("It is played in cities that are too cold or in cities that have no place for it in their hearts"). This could be true, especially if the sparse NYT coverage is any indication (but then again, consider Messier). But I'm not so sure. Even with the loss of blood-bouncing violence, hockey remains a game of speed and grace, incredibly thrilling to watch at its best and downright balletic across an Olympic-sized rink (yeah, tough guy, balletic. You heard me). It's also thrilling when the underdog prevails -- as in any sport -- and even more so when it prevails twice (though never call the Finns underdogs in hockey. I have gone head to head with Finnish hockey fans before). Cheney and Katharine Armstrong talked about how to get the story out. "What do you want me to do?" Armstrong asked. "What do you feel comfortable doing?" Cheney replied.Yowsers. Those are loaded questions.
Mr. Cheney, in my view, acted as if he had something to hide. He also chose to allow a witness to this accident and the White House press secretary to spend three days portraying this as the fault of the shooting victim, Harry Whittington. Wednesday, Mr. Cheney changed course and took the blame. That invites press scrutiny.I have to say, even in the course of said blame-taking, Cheney heavily implied fault on the part of Whittington:
Well, ultimately, I'm the guy who pulled the trigger that fired the round that hit Harry. And you can talk about all of the other conditions that existed at the time, but that's the bottom line. And there's no -- it was not Harry's fault. (emphasis added)Of course, by this time, everyone had heard about how Harry had wandered into the line of fire and hadn't announced himself. This denial only served to reinforce that.
DAVID: Scott, I just have two questions.(In two swift strides he is beside SCOTT. He reaches out and grabs SCOTT's forearm in mid-pack, locking it in midair. SCOTT pauses, then looks up at DAVID very slowly. His face remains impassive, other than a telltale tightening of his jaw.)
SCOTT: (stoically) Well, I think that I've expressed my views, and we went through this yesterday.
DAVID: But that's a non-answer!
SCOTT: I don't want to make this about anything other than what it is. It is what it is, David. I was very respectful and responsive to your questions yesterday.(DAVID glares at SCOTT and folds his arms across his chest. He raises his chin defiantly, challengingly.)
DAVID: All right, but --
SCOTT: (shaking off his grip) ...I provided you the information I knew based on the facts that were available, and we've been through this pretty thoroughly.
DAVID (smugly): You don't have an answer to this question. All right, one final question.(He slams the suitcase shut in frustration. He is breathing heavily, nostrils flaring. They glare at each other. David's lip quivers slightly, but he glares back, resolute.)
SCOTT (snapping): Wait, wait, I'm just not going to go back through it again. I'd appreciate it if you'd let me respond fully before you jump in!
DAVID: I understand that, but I'm not getting answers here, Scott. Everybody knows what is an answer and what is not an answer!(DAVID swipes at the air with the bottle, clumsily. Alcohol sloshes over into the air, onto his hand. It shocks him from the moment. They stare at each other.
SCOTT (pointing a finger warningly): David, now you want to make this about you, and it's not about you, it's about what happened. And that's what I'm trying to --
DAVID: I'm sorry that you feel that way, but that's not what I'm trying to do!
SCOTT: You don't have to yell!
DAVID (yelling): I will yell! If you -- take shots at me personally -- which I don't appreciate -- I will raise my voice! Because that's wrong!
SCOTT: Calm down, Dave, calm down!
DAVID (screaming): I'LL CALM DOWN WHEN I FEEL LIKE CALMING DOWN!
SCOTT (softly): I'm sorry you're getting all riled up.(SCOTT looks at DAVID for a moment, vulnerable before him. At that moment, he seems as though he'd burst if he could only give DAVID the answers he's looking for. But, the moment passes. He shakes his head, and walks back over to the bed, by the suitcase. Gently, but decisively, he lifts the lid.)
DAVID (pleadingly): Answer the question.
SCOTT: I have answered the question.(DAVID stands, mute. The gulf between them is suddenly huge. He walks over to SCOTT, stops, looks at him. SCOTT looks back. With a swift and sudden motion, DAVID grabs the bottle back. He strides to the doorway, turning around for dramatic effect, chin high and proud. He points at SCOTT.)
DAVID: I'll calm down when I feel like calming down.(With a flourish, he turns and leaves the room. Offstage we hear a sound: the bottle smashing. SCOTT has stood motionless throughout this final exchange. He turns slowly to the suitcase, reaches inside, and picks up the book. He looks at it for a moment, and then puts it back in the suitcase. He picks up a sweater and folds it. He continues to pack as the lights go down.)
HUME: Well, did it occur to you that sooner was -- I mean, the one thing that we've all kind of learned over the last several decades is that if something like this happens, as a rule sooner is better.This is a COMPLICATED story? That most reporters, simpletons that they are, would fail to grasp? Please. I believe it was Cheney's "expert" point person Katharine Armstrong who merrily spinned it as Whittington being "peppered pretty good." Indeed. The press covers items with a hell of a lot more nuance than this. And they usually don't need 18 hours to get up to speed.
THE VICE PRESIDENT: Well, if it's accurate. If it's accurate. And this is a complicated story.
HUME: But there were some things you knew. I mean, you knew the man had been shot, you knew he was injured, you knew he was in the hospital, and you knew you'd shot him.
THE VICE PRESIDENT: Correct.
HUME: And you knew certainly by sometime that evening that the relevant members of his family had been called. I realize you didn't know the outcome, and you could argue that you don't know the outcome today, really, finally.
THE VICE PRESIDENT: As we saw, if we'd put out a report Saturday night on what we heard then -- one report came in that said, superficial injuries. If we'd gone with a statement at that point, we'd have been wrong. And it was also important, I thought, to get the story out as accurately as possible, and this is a complicated story that, frankly, most reporters would never have dealt with before... I still think that the accuracy was enormously important.






Ew. There are so many things about the new Vanity Fair cover that make me uncomfortable, I don't know where to start. It might be that, for a change, VF's cover girls are not, er, over-clothed. Scarlett Johansson and Keira Knightley join last month's cover girl Lindsay Lohan in the buff (from the LiLo portfolio inside), along with Naomi Watts (in a slip), Jennifer Aniston (in a dress shirt sans bottoms), Kate Moss (avec nipple), and Brad Pitt and Jude Law. Oh, wait. Even better, on the inside they've got Angelina Jolie ass-up in the bathtub, and George Clooney buck naked as he busily directs fully-clothed women on a film set. Oh, wait. 
"There are fewer abortions in America than at any point in the last three decades."Whoever wrote that line was a master. It's masterful spin. Why? Because it provides a nugget of information with NO context and makes it sound like a positive thing, thus subtly underscoring every right-wing argument against Roe v. Wade and in favor of Samuel Alito's confirmation (yes, remember that? Two weeks ago, that was very fresh).
Earlier this week I logged into my Gmail and saw this message: "New! Chat is coming soon." I logged in and noticed a little balloon icon in my email folders. Fine. No biggie. Then a little box popped up. Hi! I had an IM. Then I had another. Hi again! And another. And another. And another. No joke. Little orange boxes were popping up everywhere. Some were from frequent correspondents, others were, I'm sure, inspired by random acquaintances looking at the easily-accessible list of who happened to be online. Upshot: If you have Gmail, and you're online, anyone else with a Gmail account to whom you have ever sent an email can see when you're online and drop you an IM.
Welcome to my impromptu new blog. After leaving FishbowlNY last week, I found I still had opinions, and decided to continue to express them here (just in time for this URL to be published in Fashion Week Daily!). I actually set this blog up a while ago when I was experimenting with DYI-blogging. I vacillated between the deliciousness of tomatoes, pickles and yams. Although I would like this blog to be crisp and salty, like a tasty pickle (and really, who doesn't love yams?), I settled on tomatoes because I truthfully think they are the best food on earth, sweet and delicious and refreshing and wholesome and versatile and bursting with all manner of goodness. I also dig how they coyly straddle that blurry line between fruit and vegetable. Mysterious and complicated, they refuse to be defined. "Do not put us in a box, little man," they say. "Our sweetness can be neither quantified nor contained. We are tomatoes, and we are all things to all people." Yeah. You try going with yams after THAT.
